In this work, a tiled wall of old cracked majolica becomes the ideal canvas on which to bring down yet another urban divinity, Seshat, the scribe of ancient Egypt.
Among the signs left over time by unsuspecting graffiti artists in a sign stratification that seems to follow a casual but effective ceremonial.

An archaic pantheon with spray paints returns indelible on modern metropolitan walls.You don’t need temples or sacred places to speak an internal and soul language.

You can borrow the language of the street and reiterate universal concepts within a dialogue that aims to blend in with the world.